Artist and artwork names displayed openly
This register is designed to give readers a concrete view of EURAN’s artwork-side source base. It is open and explicit: artists, artworks, themes and deployment readings are visible.
Newsletter order
| Rank | Newsletter | Artist | Artwork | Nationality | Theme | Deployment Sectors | Deployment Reading | Band | Potential | Status |
|---|---|---|---|---|---|---|---|---|---|---|
| 228 | 9 | Eugène Delacroix | Basket of Flowers | French | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 65 | 11 | Paul Cézanne | Still Life with Apples and Pears | French | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | A2 | 86 | Open listing |
| 65 | 13 | Vincent van Gogh | Roses | Dutch | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | A2 | 86 | Open listing |
| 65 | 16 | Paul Gauguin | The Siesta | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 228 | 18 | Hendrik Voogd | Italian Landscape with Umbrella Pines | Dutch | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | B | 76 | Open listing |
| 65 | 22 | Edgar Degas | The Rehearsal of the Ballet Onstage | French | Movement / performance / cultural life | Hospitality · cultural venues · clubs · performance spaces · cruise | Relevant for dynamic spaces connected to performance, music, sociability and cultural programming. | A2 | 86 | Open listing |
| 9 | 24 | Rembrandt van Rijn | The Night Watch | Dutch | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A1 | 94 | Open listing |
| 9 | 27 | Johannes Vermeer | The Milkmaid | Dutch | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A1 | 94 | Open listing |
| 23 | 28 | Piet Mondrian | Composition with Red Yellow and Blue | Dutch | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 139 | 32 | Carl Larsson | A Day of Celebration | Swedish | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 139 | 33 | François Boucher | Love Letter | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 65 | 36 | Caravaggio | The Musicians | Italian | Movement / performance / cultural life | Hospitality · cultural venues · clubs · performance spaces · cruise | Relevant for dynamic spaces connected to performance, music, sociability and cultural programming. | A2 | 86 | Open listing |
| 228 | 37 | Francisco de Goya | Narcisa Barañana de Goicoechea | Spanish | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 65 | 40 | Edgar Degas | Dancers | French | Movement / performance / cultural life | Hospitality · cultural venues · clubs · performance spaces · cruise | Relevant for dynamic spaces connected to performance, music, sociability and cultural programming. | A2 | 86 | Open listing |
| 65 | 42 | Paul Cézanne | Mount Sainte-Victoire | French | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | A2 | 86 | Open listing |
| 228 | 43 | Jan Brueghel the Elder | The Entry of the Animals into Noah's Ark | Flemish (Southern Netherlandish) | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 44 | Peter Paul Rubens | The Feast of Acheloüs | Flemish (Southern Netherlandish) | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 65 | 45 | Pierre-Auguste Renoir | Bathers Playing with a Crab | French | Interior / domestic / hospitality atmosphere | Residences · boutique hotels · suites · private clubs · lifestyle spaces | Natural fit for intimate environments, suites, residences, lounges and hospitality settings. | A2 | 86 | Open listing |
| 139 | 46 | Carl Larsson | A Studio Idyll. The Artist's Wife and their Daughter | Swedish | Interior / domestic / hospitality atmosphere | Residences · boutique hotels · suites · private clubs · lifestyle spaces | Natural fit for intimate environments, suites, residences, lounges and hospitality settings. | A2 | 82 | Open listing |
| 23 | 47 | Joseph Mallord William Turner | Venice from the Porch of Madonna della Salute | British (English) | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A2 | 89 | Open listing |
| 1 | 49 | Wassily Kandinsky | Gelb-Rot-Blau (Yellow-Red-Blue) | Russian | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A1 | 97 | Open listing |
| 23 | 50 | Paul Klee | Signs In Yellow | Swiss, German | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 115 | 51 | László Moholy-Nagy | Z VIII | Hungarian | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 85 | Open listing |
| 19 | 52 | Oskar Schlemmer | Bauhaustreppe (Bauhaus Stairway) | German | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A1 | 93 | Open listing |
| 23 | 55 | Amedeo Modigliani | Portrait of a Woman | Italian | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A2 | 89 | Open listing |
| 23 | 56 | Titian | Venus and the Lute Player | Italian | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | A2 | 89 | Open listing |
| 181 | 58 | Theo van Doesburg | Counter composition XV | Dutch | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | B | 79 | Open listing |
| 228 | 59 | Juan Gris | Glass and Checkerboard | Spanish | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 139 | 60 | George Bellows | Florence Sittenham Davey (Mrs. Randall Davey) | American | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | A2 | 82 | Open listing |
| 115 | 61 | François Boucher | The Bath of Venus | French | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | A2 | 85 | Open listing |
| 115 | 62 | Claude-Joseph Vernet | Moonlight | French | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A2 | 85 | Open listing |
| 228 | 71 | Pierre-Auguste Cot | The Storm | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 65 | 72 | Leonardo da Vinci | Ginevra de' Benci | Italian | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | A2 | 86 | Open listing |
| 228 | 73 | John William Godward | Reverie | British (English) | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 181 | 74 | Jacques-Louis David | Mars Being Disarmed by Venus | French | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | B | 79 | Open listing |
| 181 | 75 | Bernardo Bellotto | View of the Grand Canal Santa Maria della Salute... | Italian | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 181 | 76 | Jacques-Louis David | The Farewell of Telemachus and Eucharis | French | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | B | 79 | Open listing |
| 228 | 77 | Jean-Baptiste-Camille Corot | Houses near Orléans... | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 181 | 78 | Franz Xaver Winterhalter | Portrait of Leonilla Princess of Sayn-Wittgenstein-Sayn | German | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 228 | 79 | Franz Xaver Winterhalter | Florinda | German | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 80 | Vilhelm Hammershøi | View of Jægersborg Allé | Danish | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | B | 76 | Open listing |
| 139 | 81 | Edvard Munch | Inger Munch in Black | Norwegian | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 139 | 82 | Odilon Redon | Violette Heymann | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 139 | 83 | Odilon Redon | Vase of Flowers | French | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | A2 | 82 | Open listing |
| 139 | 84 | Jean-Auguste-Dominique Ingres | Achilles Receiving in his Tent the Envoys... | French | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | A2 | 82 | Open listing |
| 228 | 85 | George Inness | Sunny Autumn Day | American | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | B | 76 | Open listing |
| 228 | 86 | Edouard Vuillard | Café Wepler | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 1 | 87 | Claude Monet | Water Lilies (Agapanthus) | French | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A1 | 97 | Open listing |
| 139 | 88 | Henri Fantin-Latour | Tannhäuser | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 228 | 89 | François Clouet | A Lady in Her Bath | French | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | B | 76 | Open listing |
| 139 | 90 | Dante Gabriel Rossetti | My Lady Greensleeves | British (English) | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | A2 | 82 | Open listing |
| 23 | 91 | Canaletto | Piazza San Marco with the Basilica | Italian | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A2 | 89 | Open listing |
| 9 | 92 | Georges Seurat | A Sunday on La Grande Jatte | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A1 | 94 | Open listing |
| 23 | 93 | Robert Delaunay | La Ville de Paris (The City of Paris) | French | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 23 | 94 | Robert Delaunay | Rythme Joie de vivre / Rhythm Joy of living | French | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 23 | 95 | Piet Mondrian | New York City | Dutch | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 65 | 96 | Claude Monet | Coquelicots (Poppy field) (1873) | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 65 | 97 | Vincent van Gogh | Two Poplars in the Alpilles near Saint-Rémy | Dutch | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 65 | 98 | Vincent van Gogh | Bedroom in Arles | Dutch | Interior / domestic / hospitality atmosphere | Residences · boutique hotels · suites · private clubs · lifestyle spaces | Natural fit for intimate environments, suites, residences, lounges and hospitality settings. | A2 | 86 | Open listing |
| 228 | 99 | Georgios Samartzis | Corfu Windmill and Fortress | Greek | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 100 | Kaburaki Kiyokata | Februari 1909 | Japanese | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 9 | 101 | Leonardo da Vinci | Mona Lisa | Italian | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | A1 | 94 | Open listing |
| 228 | 102 | Ernst Ludwig Kirchner | Two Women by a Sink; The Sisters | German | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 104 | Hendrik Voogd | Italianate Landscape with Pines | Dutch | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | B | 76 | Open listing |
| 228 | 106 | Henri de Toulouse-Lautrec | L'abandon (Abandonment (The two girlfriends)) | French | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | B | 76 | Open listing |
| 228 | 107 | Henri de Toulouse-Lautrec | Marcelle Lender Dancing the Bolero in Chilpéric | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 65 | 108 | Claude Monet | Woman with a Parasol - Madame Monet and Her Son | French | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | A2 | 86 | Open listing |
| 228 | 109 | Jan Davidsz. de Heem | Still Life with Flowers in a Glass Vase | Dutch | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 228 | 110 | Philippe Halsman | Photograph Salvador Dali A (Dali Atomicus) | American (Born Latvian) | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 9 | 111 | Edgar Degas | The Dance Class (c. 1874) | French | Movement / performance / cultural life | Hospitality · cultural venues · clubs · performance spaces · cruise | Relevant for dynamic spaces connected to performance, music, sociability and cultural programming. | A1 | 94 | Open listing |
| 139 | 112 | Frederic Edwin Church | Twilight in the Wilderness | American | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | A2 | 82 | Open listing |
| 139 | 113 | Albert Bierstadt | Among the Sierra Nevada California | American (Born German) | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 228 | 114 | John William Godward | Mischief and Repose | British (English) | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 115 | Jasper Francis Cropsey | Autumn - On the Hudson River | American | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | B | 76 | Open listing |
| 9 | 116 | Raphael | The School of Athens | Italian | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A1 | 94 | Open listing |
| 21 | 117 | Albert Bierstadt | The Rocky Mountains Lander's Peak | American (Born German) | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | A1 | 90 | Open listing |
| 1 | 118 | Titian | Venus of Urbino | Italian | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | A1 | 97 | Open listing |
| 23 | 119 | Diego Velázquez | The Toilet of Venus (Rokeby Venus) | Spanish | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | A2 | 89 | Open listing |
| 65 | 120 | Pierre-Auguste Renoir | The Apple Seller | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 65 | 121 | Claude Monet | Spring Flowers | French | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | A2 | 86 | Open listing |
| 65 | 122 | Egon Schiele | Two Women Embracing (1915) | Austrian | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 65 | 123 | Gustav Klimt | The Virgin | Austrian | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 65 | 124 | Gustav Klimt | Mäda Primavesi | Austrian | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 65 | 125 | Johannes Vermeer | Young Woman with a Water Pitcher | Dutch | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | A2 | 86 | Open listing |
| 65 | 126 | El Greco | The Vision of Saint John | Greek (Worked in Spain) | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 9 | 127 | Diego Velázquez | The Surrender of Breda | Spanish | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A1 | 94 | Open listing |
| 139 | 128 | William-Adolphe Bouguereau | A Young Girl Defending Herself against Love | French | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | A2 | 82 | Open listing |
| 228 | 129 | Gustave Courbet | Bouquet of Flowers in a Vase | French | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 139 | 130 | William-Adolphe Bouguereau | Temptation | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 23 | 131 | Robert Delaunay | Window on the City No. 3. | French | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 137 | 132 | Edward Hopper | Nighthawks | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 84 | Open listing |
| 65 | 133 | Georges Seurat | Gray Weather Grande Jatte | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 65 | 134 | Georges Seurat | Circus Sideshow (Parade de cirque) | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 139 | 135 | Henri Fantin-Latour | Asters and Fruit on a Table | French | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | A2 | 82 | Open listing |
| 228 | 136 | Thomas Eakins | The Biglin Brothers Turning the Stake | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 137 | Martin Johnson Heade | Cattleya Orchid and Three Hummingbirds | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 138 | James McNeill Whistler | Arrangement in Grey and Black No. 1 / Whistler's Mother | American | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | B | 76 | Open listing |
| 65 | 139 | Gustav Klimt | The Black-Feathered Hat | Austrian | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 23 | 140 | Piet Mondrian | Composition in White Red and Yellow | Dutch | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 181 | 141 | Alessandro Allori | Venus Disarming Cupid... | Italian | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | B | 79 | Open listing |
| 228 | 142 | Henri de Toulouse-Lautrec | The Englishman... at the Moulin Rouge | French | Movement / performance / cultural life | Hospitality · cultural venues · clubs · performance spaces · cruise | Relevant for dynamic spaces connected to performance, music, sociability and cultural programming. | B | 76 | Open listing |
| 228 | 143 | Frederick Carl Frieseke | In the Boudoir | American | Interior / domestic / hospitality atmosphere | Residences · boutique hotels · suites · private clubs · lifestyle spaces | Natural fit for intimate environments, suites, residences, lounges and hospitality settings. | B | 76 | Open listing |
| 139 | 144 | Winslow Homer | Breezing Up (A Fair Wind) | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 228 | 145 | Frederick Childe Hassam | Strawberry Tea Set | American | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | B | 76 | Open listing |
| 19 | 146 | William-Adolphe Bouguereau | The Birth of Venus | French | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | A1 | 93 | Open listing |
| 228 | 147 | William Glackens | Family Group | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 148 | William Glackens | Beach Umbrellas at Blue Point | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 149 | Harriet Cany Peale | Fruit | American | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 228 | 150 | Gari Melchers | Penelope | American | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | B | 76 | Open listing |
| 228 | 151 | Thomas Anshutz | A Rose | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 65 | 152 | Vincent van Gogh | Wheat Field with Cypresses | Dutch | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 228 | 153 | Arthur B. Davies | Sweet Tremulous Leaves | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 154 | Jan Brueghel the Elder | A Woodland Road with Travelers | Flemish (Southern Netherlandish) | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | B | 76 | Open listing |
| 23 | 155 | Pierre-Auguste Renoir | By the Seashore | French | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A2 | 89 | Open listing |
| 228 | 156 | William Glackens | Beach Scene | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 157 | Gustave Courbet | Woman with a Parrot | French | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | B | 76 | Open listing |
| 228 | 158 | Jan Brueghel the Elder | Flowers in a Wooden Vessel | Flemish (Southern Netherlandish) | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 228 | 159 | Francisco de Goya (attributed) | Majas on a Balcony | Spanish | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 160 | Marie Denise Villers | Marie Joséphine Charlotte du Val d'Ognes | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 161 | Sir Thomas Lawrence | Lady Maria Conyngham | British (English) | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | B | 76 | Open listing |
| 65 | 162 | Paul Gauguin | Two Tahitian Women | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 23 | 163 | Wassily Kandinsky | Improvisation No. 30 (Cannons) | Russian | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 139 | 164 | Berthe Morisot | Woman at Her Toilette | French | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | A2 | 82 | Open listing |
| 65 | 165 | Edgar Degas | Before the Race (c. 1887–1889) | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 23 | 166 | Piet Mondrian | Lozenge Composition with Yellow Black Blue | Dutch | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 139 | 167 | Thomas Cole | Distant View of Niagara Falls | American (Born British) | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | A2 | 82 | Open listing |
| 115 | 168 | François Boucher | Diana Returning from the Hunt | French | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | A2 | 85 | Open listing |
| 139 | 169 | Giovanni Battista Tiepolo | Alexander and Bucephalus | Italian | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 181 | 170 | François Gérard | Portrait of Juliette Récamier... | French | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 23 | 171 | Wassily Kandinsky | Sketch 2 for Composition VII | Russian | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 181 | 172 | Jules Cayron | Portrait of Madame Yves Busser... | French | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 65 | 173 | El Greco | View of Toledo | Greek (Worked in Spain) | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | A2 | 86 | Open listing |
| 65 | 174 | Édouard Manet | Peonies | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 181 | 175 | Léon-François Comerre | The Golden Rain (La Pluie d'or) or Danaë | French | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | B | 79 | Open listing |
| 65 | 176 | Édouard Manet | Jeanne (Spring) | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 65 | 177 | Vincent van Gogh | Irises (1889) | Dutch | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 23 | 178 | Gustav Klimt | Danaë | Austrian | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | A2 | 89 | Open listing |
| 181 | 179 | Léon-François Comerre | Portrait de Madame Jean Maillard-Norbert | French | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 228 | 180 | Wilhelm Morgner | Astrale Komposition VI | German | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 23 | 181 | Sandro Botticelli | Idealized Portrait of a Lady... | Italian | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A2 | 89 | Open listing |
| 65 | 182 | Johannes Vermeer | The Geographer | Dutch | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 23 | 183 | Paul Klee | View into the Fertile Country | Swiss, German | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 139 | 184 | Henri Fantin-Latour | Marie-Yolande de Fitz-James | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 181 | 185 | François Gérard | Cupid and Psyche | French | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | B | 79 | Open listing |
| 228 | 186 | Ernst Ludwig Kirchner | Wild Ground (Wilder Boden) | German | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 65 | 187 | Edgar Degas | Orchestra Musicians | French | Movement / performance / cultural life | Hospitality · cultural venues · clubs · performance spaces · cruise | Relevant for dynamic spaces connected to performance, music, sociability and cultural programming. | A2 | 86 | Open listing |
| 228 | 188 | Jean-Antoine Watteau | Fête champêtre (Pastoral Gathering) | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 65 | 189 | Claude Monet | The Artist's Garden in Argenteuil... | French | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | A2 | 86 | Open listing |
| 228 | 190 | Pompeo Girolamo Batoni | Allegory of the Arts | Italian | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 191 | Alexej von Jawlensky | Still Life with a Purple Bowl | Russian | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 228 | 192 | Louis Loeb | Jessica | American | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | B | 76 | Open listing |
| 23 | 193 | Piet Mondrian | Composition (No. 1) Gray-Red | Dutch | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 228 | 194 | August Macke | Naked Girl with Headscarf | German | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | B | 76 | Open listing |
| 65 | 195 | Pierre-Auguste Renoir | Two Sisters (On the Terrace) | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 23 | 196 | Wassily Kandinsky | Painting with Green Center | Russian | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 65 | 197 | Joseph Mallord William Turner | Modern Rome - Campo Vaccino (1839) | British (English) | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 181 | 198 | Canaletto (Giovanni Antonio Canal) | The Grand Canal in Venice from Palazzo Flangini | Italian | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 139 | 199 | William-Adolphe Bouguereau | Le Travail interrompu (Work Interrupted) (1891) | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 228 | 200 | Hanna Pauli | Breakfast Time (Frukostdags) (1887) | Swedish | Interior / domestic / hospitality atmosphere | Residences · boutique hotels · suites · private clubs · lifestyle spaces | Natural fit for intimate environments, suites, residences, lounges and hospitality settings. | B | 76 | Open listing |
| 115 | 201 | Anders Zorn | By Lake Siljan (Vid Siljan) (1905) | Swedish | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A2 | 85 | Open listing |
| 228 | 202 | Bruno Liljefors | Cat on flowerbed (Katt på blomsteräng) (1887) | Swedish | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 228 | 203 | Edvard Weie | Still Life with Oranges in a Basket (1923) | Danish | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 228 | 204 | Julius Paulsen | Young women. From left: Karen Bramsen; the artist's wife ... (1904) | Danish | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | B | 76 | Open listing |
| 9 | 205 | Sandro Botticelli | Spring (La Primavera) | Italian | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A1 | 94 | Open listing |
| 115 | 206 | Edvard Munch | Moonlight (Måneskinn) (1895) | Norwegian | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A2 | 85 | Open listing |
| 9 | 207 | Vincent van Gogh | The Starry Night (1889) | Dutch | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A1 | 94 | Open listing |
| 65 | 208 | Egon Schiele | Two Women Embracing (Zwei Mädchen umarmen sich) (1913) | Austrian | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 65 | 209 | Claude Monet | Still Life with Flowers and Fruit (1869) | French | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | A2 | 86 | Open listing |
| 228 | 210 | Ljubov Popova | Untitled -1915 | Russian | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 115 | 211 | Giovanni Battista Tiepolo | Bacchus and Ariadne (c. 1743/1745) | Italian | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | A2 | 85 | Open listing |
| 1 | 212 | Wassily Kandinsky | Yellow-Red-Blue (Jaune-Rouge-Bleu) (1925) | Russian | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A1 | 97 | Open listing |
| 181 | 213 | Peter Lely | Portrait of Louise de Keroualle... (about 1671–1674) | Dutch (Worked in England) | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 181 | 214 | Harald Oskar Sohlberg | Fisherman's Cottage (1906) | Norwegian | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 228 | 215 | Théodore Géricault | Three Lovers (about 1817-1820) | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 216 | Follower of Jan van Huysum | Vase of Flowers (mid-18th century) | Dutch (Follower of) | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 115 | 217 | Marsden Hartley | Abstraction: Blue | American | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | A2 | 85 | Open listing |
| 228 | 218 | Léon François Comerre | The Beautiful Reader (La Belle Liseuse) (1916) | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 219 | John White Alexander | The Ring (1911) | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 181 | 220 | Eustache Le Sueur | Marine Gods Paying Homage to Love (about 1636-1638) | French | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 228 | 221 | George Romney | Lady Elizabeth Stanley... (1776-1778) | British (English) | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | B | 76 | Open listing |
| 228 | 222 | Kenneth Hayes Miller | The Fitting Room (1931) | American | Interior / domestic / hospitality atmosphere | Residences · boutique hotels · suites · private clubs · lifestyle spaces | Natural fit for intimate environments, suites, residences, lounges and hospitality settings. | B | 76 | Open listing |
| 181 | 223 | William Glackens | Bathers At Bellport (ca. 1912) | American | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 23 | 224 | Paul Klee | Untitled (ca. 1938) | Swiss, German | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 65 | 225 | Pierre-Auguste Renoir | A Young Girl with Daisies (1889) | French | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | A2 | 86 | Open listing |
| 21 | 226 | Frederic Edwin Church | The Parthenon (1871) | American | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | A1 | 90 | Open listing |
| 374 | 227 | Source verification required | Regatta on the Grand Canal in Honor of Frederick IV, King of Denmark (1711) | N/A (Artwork/Event) | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | C | 62 | Open listing |
| 139 | 228 | George Bellows | Nude with Red Hair (1920) | American | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | A2 | 82 | Open listing |
| 228 | 229 | Jan van Huysum | Fruit Piece (1722) | Dutch | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 65 | 230 | Edgar Degas | Yellow Dancers (In the Wings)(1874-1876) | French | Movement / performance / cultural life | Hospitality · cultural venues · clubs · performance spaces · cruise | Relevant for dynamic spaces connected to performance, music, sociability and cultural programming. | A2 | 86 | Open listing |
| 228 | 231 | Jean-Honoré Fragonard | The Fountain of Love (about 1785) | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 1 | 232 | Kazimir Malevich | Suprematist Composition (1916) | Russian | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A1 | 97 | Open listing |
| 181 | 233 | Antonio de La Gandara | Portrait de Madame Louis Rosenau (about 1913) | French | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 139 | 234 | Odilon Redon | Vase of Flowers (Pink Background) (1906) | French | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | A2 | 82 | Open listing |
| 228 | 235 | Markos Zavitzianos | Clouds (1877) | Greek | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 181 | 236 | Périclès Pantazis | On the beach (1864-1871) | Greek | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | B | 79 | Open listing |
| 181 | 237 | William Merritt Chase | At the Seaside (1892) | American | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 228 | 238 | Jacob van Hulsdonck | Still Life with Lemons Oranges and a Pomegranate (1620-1630) | Flemish (Southern Netherlandish) | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 9 | 239 | Johannes Vermeer | The Art of Painting (c. 1666-1668) | Dutch | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A1 | 94 | Open listing |
| 181 | 240 | Bartolomeo Veneto | Portrait of a Man (c. 1510s) | Italian | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 181 | 241 | Bartolomeo Veneto | Idealised Portrait of a Young Woman as Flora (ca. 1520) | Italian | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 228 | 242 | Jan van Huysum | "Vase of flowers" (1722) | Dutch | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 139 | 243 | Giovanni Battista Tiepolo | Alexander the Great and Campaspe... (c. 1740) | Italian | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 228 | 244 | Henri-Edmond Cross | The Pink Cloud (c. 1896) | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 245 | Gustave Moreau | Dejanira (Autumn)(about 1872–1873) | French | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | B | 76 | Open listing |
| 181 | 246 | John Flaxman | Paris and Oenone (1791) | British (English) | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | B | 79 | Open listing |
| 181 | 247 | Raymond Jonson | Rock at Sea (1920-1922) | American | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 228 | 248 | Oscar Bluemner | Evening Tones (1911-1917) | German, American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 181 | 249 | Frederick Carl Frieseke | Portrait of a Woman (with Cactus)(1930) | American | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 181 | 250 | Stuart Walker | Composition no. 61 (1939) | American | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | B | 79 | Open listing |
| 228 | 251 | Joseph Schillinger | Area Broken by Perpendiculars (ca. 1934) | Russian, American | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | B | 76 | Open listing |
| 139 | 252 | Joseph Stella | Neapolitan Song (1929) | American (Born Italian) | Movement / performance / cultural life | Hospitality · cultural venues · clubs · performance spaces · cruise | Relevant for dynamic spaces connected to performance, music, sociability and cultural programming. | A2 | 82 | Open listing |
| 1 | 253 | Sandro Botticelli | The Birth of Venus (ca. 1485) | Italian | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | A1 | 97 | Open listing |
| 115 | 254 | Georgia O'Keeffe | Lake George Reflection (ca. 1921-1922) | American | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A2 | 85 | Open listing |
| 139 | 255 | Joseph Stella | Battle of Lights Coney Island Mardi Gras (1913-1914) | American (Born Italian) | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 228 | 256 | Francis Luis Mora | Jeanne Cartier (Probably 1916 or 1917) | Uruguayan, American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 139 | 257 | Florine Stettheimer | Studio Party (Soirée) (ca. 1917–19) | American | Interior / domestic / hospitality atmosphere | Residences · boutique hotels · suites · private clubs · lifestyle spaces | Natural fit for intimate environments, suites, residences, lounges and hospitality settings. | A2 | 82 | Open listing |
| 139 | 258 | Florine Stettheimer | Heat (1919) | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 139 | 259 | Florine Stettheimer | Birthday Bouquet (1932) | American | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | A2 | 82 | Open listing |
| 228 | 260 | Preston Dickinson | Untitled landscape (1918) | American | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | B | 76 | Open listing |
| 228 | 261 | Kenyon Cox | An Eclogue (1890) | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 139 | 262 | Georgia O'Keeffe | Series I | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 228 | 263 | John William Godward | The Signal (1899) | British (English) | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 264 | Ann Brockman | (Landscape) (ca. 1943) | American | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | B | 76 | Open listing |
| 228 | 265 | Carl Newman | Nude (1911-1912) | American | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | B | 76 | Open listing |
| 228 | 266 | Ruger Donoho | Windflowers (1912) | American | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 228 | 267 | Carl Newman | Landscape (ca. 1909-1914) | American | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | B | 76 | Open listing |
| 23 | 268 | Piet Mondrian | Composition with Yellow, Blue, Black and Light Blue (1929) | Dutch | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 23 | 269 | Kazimir Malevich | The Knife Grinder or Principle of Glittering | Russian | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 23 | 270 | Robert Delaunay | Fenêtre (Window) (1912-1913) | French | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 228 | 271 | Pieter de Ring | Still Life with Fruit and a Cherry Branch... (ca. 1658) | Dutch | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 228 | 272 | James Jebusa Shannon | Mother and Child... (ca. 1900-1910) | American (Worked in Britain) | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | B | 76 | Open listing |
| 115 | 273 | Marsden Hartley | Red Trees | American | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | A2 | 85 | Open listing |
| 115 | 274 | Joseph Stella | Metropolitan Port (ca. 1935-1937) | American (Born Italian) | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A2 | 85 | Open listing |
| 228 | 275 | Henry Mosler | The Spirit of the Rainbow (ca. 1912-1919) | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 115 | 276 | Marsden Hartley | Movements (1913) | American | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | A2 | 85 | Open listing |
| 115 | 277 | Marsden Hartley | Popocatepetl Spirited Morning– Mexico (1932) | American | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | A2 | 85 | Open listing |
| 228 | 278 | Robert S. Duncanson | Loch Long (1867) | American | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | B | 76 | Open listing |
| 228 | 279 | Robert Seldon Duncanson | Still Life with Fruit and Nuts (1848) | American | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 228 | 280 | Preston Dickinson | Still Life (ca. 1924) | American | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 228 | 281 | Alfred H. Maurer | Landscape (ca. 1925) | American | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | B | 76 | Open listing |
| 228 | 282 | Alice Pike Barney | Kate Deering Ridgely | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 181 | 283 | Jay van Everen | Abstraction... (ca. 1921; reworked ca. 1923–26) | American | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | B | 79 | Open listing |
| 228 | 284 | Richard E. Miller | The Necklace | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 285 | Jay Van Everen | Untitled (ca. 1920) | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 181 | 286 | George Wesley Bellows | A Fresh Breeze (1913) | American | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 139 | 287 | Florine Stettheimer | Christmas (ca. 1930-1940) | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 115 | 288 | El Lissitzky | Proun 99 (ca. 1923-1925) | Russian | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 85 | Open listing |
| 228 | 289 | Thomas Eakins | Maud Cook... (1895) | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 290 | Josef Stella | Spring (The Procession) (ca. 1914-16) | American (Born Italian) | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 65 | 291 | Canaletto | English Landscape Capriccio with a Palace (c. 1754) | Italian | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | A2 | 86 | Open listing |
| 23 | 292 | Canaletto | Entrance to the Grand Canal from the Molo Venice (1742/1744) | Italian | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A2 | 89 | Open listing |
| 228 | 293 | Sir William Orpen | Mrs. Charles S. Carstairs (1914) | Irish | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | B | 76 | Open listing |
| 181 | 294 | Sebastiano Ricci | Triumph of the Marine Venus (about 1713) | Italian | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 228 | 295 | Alexej von Jawlensky | Murnau (1910) | Russian | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 139 | 296 | Florine Stettheimer | Joseph Hergesheimer (1880–1954) (1923) | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 115 | 297 | Claude-Joseph Vernet | A Calm at a Mediterranean Port (ca. 1770) | French | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A2 | 85 | Open listing |
| 228 | 298 | Alexej von Jawlensky | Red Path St. Prex (1915) | Russian | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 23 | 299 | Robert Delaunay | Formes circulaires, lune no. 1 | French | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 228 | 300 | Luca Carlevarijs | The Bucintoro Departing from the Bacino... (1710) | Italian | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 65 | 301 | Amedeo Modigliani | Woman with Red Hair (1917) | Italian | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | A2 | 86 | Open listing |
| 228 | 302 | Elisabeth Jerichau Baumann | An Egyptian Pot Seller at Gizeh (1876-1878) | Danish (Born Polish) | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 303 | Alice Pike Barney | Babylon | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 304 | Alice Pike Barney | Titian Hair | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 23 | 305 | Wassily Kandinsky | Color Study with Diamonds (1913 | Russian | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 228 | 306 | Christine Løvmand | Fruits in an Italian landscape (1842-1843) | Danish | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 228 | 307 | Horatio C. Forjohn | Idle Governor (1940) | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 181 | 308 | Jonas Åkerström | Bacchus and Ariadne | Swedish | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | B | 79 | Open listing |
| 65 | 309 | Gustav Klimt | Lady with Fan (Dame mit Fächer) | Austrian | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | A2 | 86 | Open listing |
| 228 | 310 | Earl Horter | Still Life | American | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 181 | 311 | Frank Duveneck | Water Carriers Venice (1884) | American | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 181 | 312 | C. W. Eckersberg | An American Naval Brig Lying at Anchor... | Danish | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 228 | 313 | Margareta Haverman | Flowers (1730s) | Dutch | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 228 | 314 | Konstantinos Volanakis | Fishing boat on choppy waters | Greek | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 315 | Alice Pike Barney | The Decorator (1909) | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 316 | André Derain | Mediterranean Landscape (1923-1927) | French | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | B | 76 | Open listing |
| 115 | 317 | László Moholy-Nagy | Construction (1924) | Hungarian | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 85 | Open listing |
| 23 | 318 | Piet Mondrian | Place de la Concorde (1938-1943) | Dutch | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 228 | 319 | Alice Pike Barney | Dreamland (Ca. 1906) | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 23 | 320 | Robert Delaunay | Portuguese Still Life (1916) | French | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A2 | 89 | Open listing |
| 115 | 321 | László Moholy-Nagy | Grey Overlappings (1930) | Hungarian | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 85 | Open listing |
| 115 | 322 | Anders Zorn | In the Skerries (Sea Nymph)(1894) | Swedish | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A2 | 85 | Open listing |
| 228 | 323 | Albert Sterner | Furbelows (1941) | American (Born British) | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 324 | Christine Løvmand | A Basket of Fruit in a Landscape (1832) | Danish | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 228 | 325 | Gerda Wegener | Two friends in a red sofa... (1904-1940) | Danish | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 326 | Raoul Dufy | Landscape near Vence in Provence (1920-1921) | French | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | B | 76 | Open listing |
| 65 | 327 | Joseph Mallord William Turner | Van Tromp, going about to please his Masters... | British (English) | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 228 | 328 | Wladimir Burljuk | The Dancer (Die Tänzerin) (c. 1910) | Ukrainian, Russian | Movement / performance / cultural life | Hospitality · cultural venues · clubs · performance spaces · cruise | Relevant for dynamic spaces connected to performance, music, sociability and cultural programming. | B | 76 | Open listing |
| 228 | 329 | Johan Laurentz Jensen | Flowers in a Vase (1834) | Danish | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 228 | 330 | Henry Brown Fuller | Illusion (before 1901) | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 115 | 331 | John Marin | The Sea Maine (1921) | American | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A2 | 85 | Open listing |
| 181 | 332 | Joseph Schillinger | Study in Rhythm: Red and Gold (1934) | Russian, American | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | B | 79 | Open listing |
| 228 | 333 | Eliphalet Fraser Andrews | Poppies (n.d.) | American | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 228 | 334 | Eliphalet Fraser Andrews | Man Reclining beside a Stream (n.d.) | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 65 | 335 | Édouard Manet | Fishing (ca. 1862–63) | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 228 | 336 | Sofie Werenskiold | Parklandscape with reading Woman (1882) | Norwegian | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | B | 76 | Open listing |
| 181 | 337 | Luis Ricardo Falero | The Prayer to Isis | Spanish | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | B | 79 | Open listing |
| 228 | 338 | Théo van Rysselberghe | Bathing Women (L'heure embrasée) (1897) | Belgian | Interior / domestic / hospitality atmosphere | Residences · boutique hotels · suites · private clubs · lifestyle spaces | Natural fit for intimate environments, suites, residences, lounges and hospitality settings. | B | 76 | Open listing |
| 139 | 339 | John William Waterhouse | The soul of the rose | British (English) | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 139 | 340 | Thomas Cole | Architect’s Dream (before 1840) | American (Born British) | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 115 | 341 | John Marin | Sailboat (1923) | American | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A2 | 85 | Open listing |
| 228 | 342 | Lucia Fairchild Fuller | By a Clear Fountain (1907) | American | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | B | 76 | Open listing |
| 181 | 343 | Paul Kelpe | Composition (1936) | German, American | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | B | 79 | Open listing |
| 65 | 344 | Vincent van Gogh | Bank of the Oise at Auvers (1890) | Dutch | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 65 | 345 | Paul Gauguin | Stilleben (1899) | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 181 | 346 | Francis Davis Millet | Reading the Story of Oenone (ca. 1883) | American | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | B | 79 | Open listing |
| 228 | 347 | John Mix Stanley | Western Landscape (1847-1849) | American | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | B | 76 | Open listing |
| 115 | 348 | Oskar Schlemmer | Danceress (The Gesture) (1922) | German | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 85 | Open listing |
| 23 | 349 | Wassily Kandinsky | Dreamy Improvisation (1913) | Russian | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 65 | 350 | Claude Monet | Morning at Antibes (1888) | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 228 | 351 | Élisabeth Louise Vigée Le Brun | Madame Grand (Noël Catherine Vorlée 1761–1835)(1783) | French | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | B | 76 | Open listing |
| 228 | 352 | Georg Scholz | Female Nude with Plaster Head (1927) | German | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | B | 76 | Open listing |
| 23 | 353 | Paul Klee | Hafenbild (Harbor picture) (1918) | Swiss, German | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A2 | 89 | Open listing |
| 137 | 354 | Rosa Bonheur | The Horse Fair (1852-1855) | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 84 | Open listing |
| 181 | 355 | Marie-Guillemine Benoist | Self Portrait (1786) | French | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 181 | 356 | Judith Leyster | Self-portrait (ca. 1630) | Dutch | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 181 | 357 | Élisabeth Louise Vigée Le Brun | Self-portrait in a Straw Hat (after 1782) | French | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 181 | 358 | Angelica Kauffmann | Telemachus and the Nymphs of Calypso (1782) | Swiss | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | B | 79 | Open listing |
| 228 | 359 | Suzanne Valadon | Young Girl in Front of a Window(1930) | French | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | B | 76 | Open listing |
| 228 | 360 | Alice Pike Barney | Laura In Yellow (1900) | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 181 | 361 | Andree Rexroth | Composition (ca. 1935) | American | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | B | 79 | Open listing |
| 228 | 362 | Marie Bracquemond | The painter and his model (1880) | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 363 | Clara Peeters | A Bouquet of Flowers (ca. 1612) | Flemish (Southern Netherlandish) | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 228 | 364 | James Jacques Joseph Tissot | The departure of the Prodigal Son (1863) | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 139 | 365 | Carl Larsson | The Model Writing a Postcard (1906) | Swedish | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 1 | 366 | Claude Monet | The Japanese Footbridge (1899) | French | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | A1 | 97 | Open listing |
| 65 | 367 | Pierre-Auguste Renoir | Figures on the Beach (1890) | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 86 | Open listing |
| 139 | 368 | Franz Marc | Fighting forms (1914) | German | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 23 | 369 | Paul Klee | Full Moon (Der Vollmond) (1919) | Swiss, German | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 228 | 370 | Henry Peters Gray | Undine (before 1865) | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 371 | Abbott Handerson Thayer | Girl Arranging Her Hair (1918-1919) | American | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | B | 76 | Open listing |
| 23 | 372 | Robert Delaunay | The Eiffel Tower (1909-10/11) | French | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 139 | 373 | Franz Marc | Tirol (1914) | German | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 228 | 374 | Suzanne Valadon | Spring Flowers (1928) | French | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 228 | 375 | Orsola Maddalena Caccia | Fruit and Flowers (ca. 1630) | Italian | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 228 | 376 | Henry Lyman Saÿen | Zinnias (1909-1912) | American | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 181 | 377 | Fitz Henry Lane | Boston Harbor Sunset (1850-1855) | American | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 23 | 378 | Paul Klee | River engineering landscape (Flussbaulandschaft)(1924) | Swiss, German | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 23 | 379 | Pierre-Auguste Renoir | Seascape (1879) | French | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A2 | 89 | Open listing |
| 115 | 380 | Henri Fantin-Latour | Tannhäuser on the Venusberg (1864) | French | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | A2 | 85 | Open listing |
| 181 | 381 | Jan Massys | Venus Cythereia (1561) | Flemish (Southern Netherlandish) | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | B | 79 | Open listing |
| 228 | 382 | Robert Henri Cozad | The Young Girl (1915) | American | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | B | 76 | Open listing |
| 23 | 383 | Paul Cézanne | View of the sea at L’Estaque (1883-1885) | French | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A2 | 89 | Open listing |
| 228 | 384 | Guido Reni | Joseph and Potiphar's Wife (about 1630) | Italian | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 139 | 385 | François Boucher | The Bird Catchers (1748) | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 23 | 386 | Claude Monet | Sunrise (Marine) (1872 or 1873) | French | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A2 | 89 | Open listing |
| 23 | 387 | Vincent van Gogh | Seascape near Les Saintes-Maries-de-la-Mer (1888) | Dutch | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A2 | 89 | Open listing |
| 181 | 388 | Giovanni Boldini | Spanish dancers at the Moulin Rouge(circa 1905) | Italian | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | B | 79 | Open listing |
| 65 | 389 | Edgar Degas | Four Dancers (c. 1899) | French | Movement / performance / cultural life | Hospitality · cultural venues · clubs · performance spaces · cruise | Relevant for dynamic spaces connected to performance, music, sociability and cultural programming. | A2 | 86 | Open listing |
| 139 | 390 | Giovanni Battista Tiepolo | Woman with a Mandolin (ca. 1755-1760) | Italian | Portrait / identity / human presence | Private collections · clubs · offices · suites · institutional interiors | Useful for spaces where personality, elegance, social memory or institutional presence matter. | A2 | 82 | Open listing |
| 181 | 391 | Giovanni Boldini | Portrait of Ms. Wertheimer (1902) | Italian | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 228 | 392 | Alessandro Turchi | Judgment of Paris (ca 1640) | Italian | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 139 | 393 | Dante Gabriel Rossetti | Rosa Triplex (1874) | British (English) | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 228 | 394 | Camille Pissarro | Jalais Hill Pontoise (1867) | French (Born Danish West Indies) | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | B | 76 | Open listing |
| 228 | 395 | Jules Breton | The Weeders (1868) | French | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 396 | Juan Gris | Still life with grapes (1914) | Spanish | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 64 | 397 | Walter Shirlaw | Water Lilies (before 1889) | American | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A2 | 87 | Open listing |
| 181 | 398 | Thomas Sully | Portrait of the Misses Mary and Emily McEuen(1823) | American (Born British) | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | B | 79 | Open listing |
| 228 | 399 | Kurt Schwitters | Das Haar-Nabelbild (1920) | German | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 1 | 400 | Claude Monet | Nympheas (c. 1897-1898) | French | Maritime / water / destination culture | Cruise · superyachts · marinas · hotels · coastal real estate | Strong cultural bridge for sea-related environments, destination narratives and Mediterranean/global travel identities. | A1 | 97 | Open listing |
| 228 | 401 | Thomas Doughty | In Nature's Wonderland (1835) | American | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 402 | Henry Matisse | Stilleben with fruits (1915) | French | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 23 | 403 | Wassily Kandinsky | Improvisation 13 (1910) | Russian | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 228 | 404 | Henri-Edmond Cross | Pines Along the Shore (1896) | French | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | B | 76 | Open listing |
| 228 | 405 | Eugenie Bandell | Sun at Midday (Wilhelmsbad) (1913) | German | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 228 | 406 | Walter Gramatté | Still life with clock and tulp pot (1921-1922) | German | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | B | 76 | Open listing |
| 228 | 407 | Vilhelm Hammershøi | Artemis (1893-1894) | Danish | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |
| 181 | 408 | Jan Massys | Flora(1559) | Flemish (Southern Netherlandish) | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | B | 79 | Open listing |
| 65 | 409 | Pierre-Auguste Renoir | Vase of roses (c. 1890-1900) | French | Still life / floral / decorative intelligence | Hotels · residences · textiles · products · reception spaces | Highly adaptable for decorative, textile, hospitality and art-derived design applications. | A2 | 86 | Open listing |
| 181 | 410 | Hendrik de Clerck and Denis van Alsloot | The Contest between Apollo and Pan(c. 1600-1615) | Flemish (Southern Netherlandish) | Mythology / beauty / symbolic luxury | Luxury interiors · hospitality · private residences · cultural clubs | High symbolic power for refined environments where beauty, origin myths and cultural memory strengthen identity. | B | 79 | Open listing |
| 139 | 411 | John William Waterhouse | Destiny (1900) | British (English) | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | A2 | 82 | Open listing |
| 139 | 412 | John William Waterhouse | A Song of Springtime (1913) | British (English) | Movement / performance / cultural life | Hospitality · cultural venues · clubs · performance spaces · cruise | Relevant for dynamic spaces connected to performance, music, sociability and cultural programming. | A2 | 82 | Open listing |
| 23 | 413 | Paul Klee | Tannenwald (pine forest) (1914) | Swiss, German | Modern abstraction / design systems | Corporate spaces · airports · design programs · architecture · media | Strong source for design language, spatial rhythm, graphic systems and contemporary institutional identity. | A2 | 89 | Open listing |
| 228 | 414 | Jan Brueghel the Elder | Wooded Landscape with Figures (ca. 1605-1610) | Flemish (Southern Netherlandish) | Landscape / place / spatial atmosphere | Real estate · hospitality · wellness · residences · destination branding | Supports calm, place-making, destination identity and long-duration spatial atmosphere. | B | 76 | Open listing |
| 228 | 415 | Leo Putz | Picknick (1904) | Austrian | Cultural reference / general deployment potential | Private · corporate · hospitality · institutional contexts | Potential cultural source for project-specific acquisition, adaptation or placement. | B | 76 | Open listing |